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	<title>The Eyes Have It &#187; Old TEHI  Stuff</title>
	<atom:link href="http://www.leepotts.com/tehi/archives/category/old-tehi-stuff/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.leepotts.com/tehi</link>
	<description>A weblog devoted (mainly) to visual communications in the pharmaceutical, biotech and healthcare sectors.</description>
	<pubDate>Tue, 08 Aug 2006 21:22:11 +0000</pubDate>
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			<item>
		<title>WebMD: Zapping Cancer Via Video Game Software</title>
		<link>http://www.leepotts.com/tehi/archives/2006/08/07/webmd-zapping-cancer-via-video-game-software/</link>
		<comments>http://www.leepotts.com/tehi/archives/2006/08/07/webmd-zapping-cancer-via-video-game-software/#comments</comments>
		<pubDate>Mon, 07 Aug 2006 17:55:07 +0000</pubDate>
		<dc:creator>Lee</dc:creator>
		
		<category><![CDATA[Old TEHI  Stuff]]></category>

		<guid isPermaLink="false">http://www.leepotts.com/tehi/archives/2006/08/07/webmd-zapping-cancer-via-video-game-software/</guid>
		<description><![CDATA[WebMD videocast. &#8220;There&#8217;s a place I want to drop my bombs, and a place where I don&#8217;t want to drop my bombs.&#8221;
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			<content:encoded><![CDATA[<p><a href="http://www.webmd.com/content/pages/25/114228.htm" target="resource window"><img src="http://www.leepotts.com/tehi/wp-content/060807zappingcancer.jpg" alt="WebMD: Zapping Cancer Via Video Game Software" align="left" width="118" height="120" border="0"></a><a href="http://www.webmd.com/content/pages/25/114228.htm" target="resource window">WebMD videocast</a>. &#8220;There&#8217;s a place I want to drop my bombs, and a place where I don&#8217;t want to drop my bombs.&#8221;</p>
]]></content:encoded>
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		<item>
		<title>The College of Physicians of Philadelphia &#8212; Their Bodies: Ourselves</title>
		<link>http://www.leepotts.com/tehi/archives/2005/11/26/the-college-of-physicians-of-philadelphia-their-bodies-ourselves/</link>
		<comments>http://www.leepotts.com/tehi/archives/2005/11/26/the-college-of-physicians-of-philadelphia-their-bodies-ourselves/#comments</comments>
		<pubDate>Sun, 27 Nov 2005 03:52:58 +0000</pubDate>
		<dc:creator>Lee</dc:creator>
		
		<category><![CDATA[Old TEHI  Stuff]]></category>

		<guid isPermaLink="false">http://www.leepotts.com/tehi/archives/2005/11/25/body-worldspdf-applicationpdf-object/</guid>
		<description><![CDATA[The Body Worlds exhibition may or may not have educational value, artistic merit or a completely sound ethical foundation. As a subject of discussion, however, it definitely does have a way bringing out impassioned points of view (the Thanksgiving dinner table might not have been the best time to have introduced it as a topic [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.collphyphil.org/body worlds.pdf" target="resource window"><img src="http://www.leepotts.com/tehi/wp-content/051126TheirBodiesOurselves.jpg" alt="The College of Physicians of Philadelphia -- Their Bodies: Ourselves" align="left" width="118" height="120" border="0"/></a>The <a href="www.bodyworlds.com">Body Worlds</a> exhibition may or may not have educational value, artistic merit or a completely sound ethical foundation. As a subject of discussion, however, it definitely does have a way bringing out impassioned points of view (the Thanksgiving dinner table might not have been the best time to have introduced it as a topic of discussion). <a href="http://www.collphyphil.org/">The College of Physicians of Philadelphia</a> will be joining as well as contributing to the conversation with a town hall discussion.  <a href="http://www.collphyphil.org/body%20worlds.pdf"><em>Their Bodies: Ourselves </em></a> takes place Thursday, December 1, 2005 starting at 6:00 p.m.</p>
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		</item>
		<item>
		<title>&#8216;I use my iPod to store medical images&#8217;</title>
		<link>http://www.leepotts.com/tehi/archives/2005/11/07/i-use-my-ipod-to-store-medical-images/</link>
		<comments>http://www.leepotts.com/tehi/archives/2005/11/07/i-use-my-ipod-to-store-medical-images/#comments</comments>
		<pubDate>Tue, 08 Nov 2005 02:12:42 +0000</pubDate>
		<dc:creator>Lee</dc:creator>
		
		<category><![CDATA[Old TEHI  Stuff]]></category>

		<guid isPermaLink="false">http://www.leepotts.com/tehi/archives/2005/11/07/i-use-my-ipod-to-store-medical-images/</guid>
		<description><![CDATA[CNN.com article:
&#8220;Osman Ratib, professor and chief of nuclear medicine at the University Hospital of Geneva, has co-created a computer software program called Osirix. It enables medical professionals to view medical images on their iPods, saving them and the hospitals they work for thousands of dollars in expensive equipment.
&#8220;Medical imaging these days is much more than [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.cnn.com/2005/TECH/10/20/medical.imaging/index.html" target="resource window"><img src="http://www.leepotts.com/tehi/wp-content/051107ipod.jpg" alt="'I use my iPod to store medical images'" align="left" width="118" height="120" border="0"/></a><a href="http://www.cnn.com/2005/TECH/10/20/medical.imaging/index.html" target="resource window">CNN.com article</a>:</p>
<blockquote><p><em>&#8220;Osman Ratib, professor and chief of nuclear medicine at the University Hospital of Geneva, has co-created a computer software program called <a href="http://homepage.mac.com/rossetantoine/osirix/" target="resource window">Osirix</a>. It enables medical professionals to view medical images on their iPods, saving them and the hospitals they work for thousands of dollars in expensive equipment.</p>
<p>&#8220;Medical imaging these days is much more than just looking at slices through the body &#8212; it&#8217;s about looking at the body in motion, in function. We&#8217;re dealing with images that are more than just 2D, black and white images.</p>
<p>&#8220;It&#8217;s not rocket science but it&#8217;s taking something that&#8217;s been designed for the consumer market and using it for something that&#8217;s medically driven.&#8221;</em></p></blockquote>
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		<item>
		<title>Gallery of Nostrums</title>
		<link>http://www.leepotts.com/tehi/archives/2004/01/05/gallery-of-nostrums/</link>
		<comments>http://www.leepotts.com/tehi/archives/2004/01/05/gallery-of-nostrums/#comments</comments>
		<pubDate>Wed, 31 Dec 1969 16:00:00 +0000</pubDate>
		<dc:creator>Lee</dc:creator>
		
		<category><![CDATA[Old TEHI  Stuff]]></category>

		<guid isPermaLink="false">http://www.leepotts.com/tehi/archives/2004/01/05/gallery-of-nostrums/</guid>
		<description><![CDATA[The FDA Center for Drug Evaluation and Research (CDER) website offers this collection of marketing ephemeria related to the patent medicine industry at the end of the 19th century. These are the kinds of products that gave us the phrase &#8220;snake oil salesmen&#8221;. It&#8217;s a little sad to see that many of our culture&#8217;s obsessions [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.fda.gov/cder/about/history/Gallery/gallery1.htm" target="resource window"><img src="http://www.leepotts.com/040105nostrums.jpg" alt="Gallery of Nostrums" align="left" width="118" height="120" border="0"></a>The FDA Center for Drug Evaluation and Research (CDER) website offers <a href="http://www.fda.gov/cder/about/history/Gallery/gallery1.htm" target="resource window">this collection of marketing ephemeria</a> related to the patent medicine industry at the end of the 19th century. These are the kinds of products that gave us the phrase &#8220;snake oil salesmen&#8221;. It&#8217;s a little sad to see that many of our culture&#8217;s obsessions (and the rhetoric used by the unscrupulous to cater to them) have changed so little over the hundred years. [via <a href="http://medpundit.blogspot.com/" target="resource window">medpundit</a>]</p>
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		<item>
		<title>Developmental Biology Cinema</title>
		<link>http://www.leepotts.com/tehi/archives/2004/01/02/developmental-biology-cinema/</link>
		<comments>http://www.leepotts.com/tehi/archives/2004/01/02/developmental-biology-cinema/#comments</comments>
		<pubDate>Wed, 31 Dec 1969 16:00:00 +0000</pubDate>
		<dc:creator>Lee</dc:creator>
		
		<category><![CDATA[Old TEHI  Stuff]]></category>

		<guid isPermaLink="false">http://www.leepotts.com/tehi/archives/2004/01/02/developmental-biology-cinema/</guid>
		<description><![CDATA[Maintained by the Society for Developmental Biology, the  Developmental Biology Cinema &#8220;&#8230;grew out of a breakfast meeting at the 13th International Congress of Developmental Biology held in Snowbird, Utah, July, 1997. The aim of this project is to get video sequences of developing embryos (organisms), and experimental techniques, from the developmental biologist&#8217;s lab to [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://sdb.bio.purdue.edu/dbcinema/" target="resource window"><img src="http://www.leepotts.com/040102devcin.jpg" alt="Developmental Biology Cinema" align="left" width="118" height="120" border="0"></a>Maintained by the Society for Developmental Biology, the  <a href="http://sdb.bio.purdue.edu/dbcinema/" target="resource window">Developmental Biology Cinema</a> &#8220;&#8230;grew out of a breakfast meeting at the 13th International Congress of Developmental Biology held in Snowbird, Utah, July, 1997. The aim of this project is to get video sequences of developing embryos (organisms), and experimental techniques, from the developmental biologist&#8217;s lab to the eyeballs of interested individuals in a user-friendly and inexpensive form.&#8221;</p>
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		</item>
		<item>
		<title>Geek Tattoos: DNA and Anatomy</title>
		<link>http://www.leepotts.com/tehi/archives/2003/12/28/geek-tattoos-dna-and-anatomy/</link>
		<comments>http://www.leepotts.com/tehi/archives/2003/12/28/geek-tattoos-dna-and-anatomy/#comments</comments>
		<pubDate>Wed, 31 Dec 1969 16:00:00 +0000</pubDate>
		<dc:creator>Lee</dc:creator>
		
		<category><![CDATA[Old TEHI  Stuff]]></category>

		<guid isPermaLink="false">http://www.leepotts.com/tehi/archives/2003/12/28/geek-tattoos-dna-and-anatomy/</guid>
		<description><![CDATA[DNA strands (1/2/3), most of which seem to be correctly rendered as right handed, and unseen anatomy seem to be recurrent themes at this tattoo gallery site. Interesting use of the skin as a canvas on which to illustrate what it&#8217;s covering. May not be safe for work.
]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.bmezine.com/tattoo/geek001.html" target="resource window"><img src="http://www.leepotts.com/031228tattoos.jpg" alt="Geek Tattoos: DNA and Anatomy" align="left" width="118" height="120" border="0"></a>DNA strands (<a href="http://www.bmezine.com/tattoo/A30813/high/closecolor.jpg" target="resource window">1</a>/<a href="http://www.bmezine.com/tattoo/A31005/high/bvzcdwru.jpg" target="resource window">2</a>/<a href="http://www.bmezine.com/tattoo/A31023/high/rll8acpubimg0126.jpg" target="resource window">3</a>), most of which seem to be correctly rendered as right handed, and <a href="http://www.bmezine.com/tattoo/A30222/high/spine.jpg" target="resource window">unseen anatomy</a> seem to be recurrent themes at <a href="http://www.bmezine.com/tattoo/geek001.html" target="resource window">this tattoo gallery site</a>. Interesting use of the skin as a canvas on which to illustrate what it&#8217;s covering. May not be safe for work.</p>
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			<wfw:commentRss>http://www.leepotts.com/tehi/archives/2003/12/28/geek-tattoos-dna-and-anatomy/feed/</wfw:commentRss>
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		<item>
		<title>Anatomical Collages by Frederick Sommer</title>
		<link>http://www.leepotts.com/tehi/archives/2003/12/24/anatomical-collages-by-frederick-sommer/</link>
		<comments>http://www.leepotts.com/tehi/archives/2003/12/24/anatomical-collages-by-frederick-sommer/#comments</comments>
		<pubDate>Wed, 31 Dec 1969 16:00:00 +0000</pubDate>
		<dc:creator>Lee</dc:creator>
		
		<category><![CDATA[Old TEHI  Stuff]]></category>

		<guid isPermaLink="false">http://www.leepotts.com/tehi/archives/2003/12/24/anatomical-collages-by-frederick-sommer/</guid>
		<description><![CDATA[A collection of collages that appear to made of cut up anatomy textbooks. His choice of source material seems pretty ironic given the fact that anatomical illustration is all about putting the pieces exactly where they need to be in relation to the other pieces. Although visually interesting, decontextualized anatomy is basically information free. It&#8217;s [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.wm-arts.com/Sommer/Collage/sommer_collages.htm" target="resource window"><img src="http://www.leepotts.com/031224sommer.jpg" alt="Anatomical Collages by Frederick Sommer" align="left" width="118" height="120" border="0"></a><a href="http://www.wm-arts.com/Sommer/Collage/sommer_collages.htm" target="resource window">A collection of collages</a> that appear to made of cut up anatomy textbooks. His choice of source material seems pretty ironic given the fact that anatomical illustration is all about putting the pieces exactly where they need to be in relation to the other pieces. Although visually interesting, decontextualized anatomy is basically information free. It&#8217;s also interesting to think about what he had to do to the original prints as being akin to surgery or autopsy. <a href="http://www.english.upenn.edu/~afilreis/50s/sommer-obit.html" target="resource window">Sommer&#8217;s obituary.</a> [via  <a href="http://consumptive.org/weblog/blog.html" target="resource window">Consumptive</a>]</p>
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		<title>Outline of the Human Brain in Michelangelo&#8217;s Sistine Chapel</title>
		<link>http://www.leepotts.com/tehi/archives/2003/12/07/outline-of-the-human-brain-in-michelangelos-sistine-chapel/</link>
		<comments>http://www.leepotts.com/tehi/archives/2003/12/07/outline-of-the-human-brain-in-michelangelos-sistine-chapel/#comments</comments>
		<pubDate>Wed, 31 Dec 1969 16:00:00 +0000</pubDate>
		<dc:creator>Lee</dc:creator>
		
		<category><![CDATA[Old TEHI  Stuff]]></category>

		<guid isPermaLink="false">http://www.leepotts.com/tehi/archives/2003/12/07/outline-of-the-human-brain-in-michelangelos-sistine-chapel/</guid>
		<description><![CDATA[ This site asks &#8220;Was God superimposed on a mid-sagittal outline of the human brain in Michelangelo&#8217;s Sistine Chapel painting of &#8216;The Creation of Adam&#8217;?&#8221;  But it doesn&#8217;t even attempt to answer the really interesting questions: why did Michelangelo do it and what was he trying to say? [via Incoming Signals]
]]></description>
			<content:encoded><![CDATA[<p><a href="http://psych-www.colorado.edu/users/spencer/psyc2012/michelangelo.html" target="resource window"><img src="http://www.leepotts.com/031207mikespainting.jpg" alt="Outline of the Human Brain in Michelangelo's Sistine Chapel" align="left" width="118" height="120" border="0"></a><a href="http://psych-www.colorado.edu/users/spencer/psyc2012/michelangelo.html" target="resource window"> This site asks</a> &#8220;Was God superimposed on a mid-sagittal outline of the human brain in Michelangelo&#8217;s Sistine Chapel painting of &#8216;The Creation of Adam&#8217;?&#8221;  But it doesn&#8217;t even attempt to answer the really interesting questions: why did Michelangelo do it and what was he trying to say? [via <a href="http://www.wherethreadscomeloose.com/links.html" target="resource window">Incoming Signals</a>]</p>
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		<item>
		<title>3-D Brain Anatomy</title>
		<link>http://www.leepotts.com/tehi/archives/2003/12/01/3-d-brain-anatomy/</link>
		<comments>http://www.leepotts.com/tehi/archives/2003/12/01/3-d-brain-anatomy/#comments</comments>
		<pubDate>Wed, 31 Dec 1969 16:00:00 +0000</pubDate>
		<dc:creator>Lee</dc:creator>
		
		<category><![CDATA[Old TEHI  Stuff]]></category>

		<guid isPermaLink="false">http://www.leepotts.com/tehi/archives/2003/12/01/3-d-brain-anatomy/</guid>
		<description><![CDATA[Good example of a well-executed Flash application found on the site supporting the  PBS series The Secret Life of the Brain. Might be considered somewhat simplistic, but its level of complexity is probably appropriate for its intended audience/purpose.  My only problem with the interface is that you can&#8217;t reach the limbic system by [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.pbs.org/wnet/brain/3d/index.html" target="resource window"><img src="http://www.leepotts.com/0312013dbrain.jpg" alt="3-D Brain Anatomy" align="left" width="118" height="120" border="0"></a><a href="http://www.pbs.org/wnet/brain/3d/index.html" target="resource window">Good example of a well-executed Flash application</a> found on the site supporting the  PBS series <em><a href="http://www.pbs.org/wnet/brain/index.html" target="resource window">The Secret Life of the Brain</a></em>. Might be considered somewhat simplistic, but its level of complexity is probably appropriate for its intended audience/purpose.  My only problem with the interface is that you can&#8217;t reach the limbic system by clicking on the brain, you can only reach it by using the buttons in the lower right.  If you don&#8217;t explore those controls, you&#8217;ll only get part of the experience.</p>
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		<item>
		<title>Skulls in Culture</title>
		<link>http://www.leepotts.com/tehi/archives/2003/11/28/skulls-in-culture/</link>
		<comments>http://www.leepotts.com/tehi/archives/2003/11/28/skulls-in-culture/#comments</comments>
		<pubDate>Wed, 31 Dec 1969 16:00:00 +0000</pubDate>
		<dc:creator>Lee</dc:creator>
		
		<category><![CDATA[Old TEHI  Stuff]]></category>

		<guid isPermaLink="false">http://www.leepotts.com/tehi/archives/2003/11/28/skulls-in-culture/</guid>
		<description><![CDATA[Skulls in Culture, part of a California Academy of Sciences exhibit, examines the power of the skull as image/symbol - a power that doesn&#8217;t seem to be held by any other bone in the skeletal system.
&#8220;Skulls do more than just protect the brain — they also stimulate the mind. Often symbols of mortality and power, [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.calacademy.org/exhibits/skulls/skulls_in_culture.html" target="resource window"><img src="http://www.leepotts.com/031128skulls.jpg" alt="Skulls in Culture" align="left" width="118" height="120" border="0"></a><a href="http://www.calacademy.org/exhibits/skulls/skulls_in_culture.html" target="resource window">Skulls in Culture</a>, part of a California Academy of Sciences <a href="http://www.calacademy.org/exhibits/skulls/" target="resource window">exhibit</a>, examines the power of the skull as image/symbol - a power that doesn&#8217;t seem to be held by any other bone in the skeletal system.<br />
<blockquote>&#8220;<i>Skulls do more than just protect the brain — they also stimulate the mind. Often symbols of mortality and power, they have been employed in human ceremony, ritual, and art for tens of thousands of years. From the ancient animal skulls in Paleolithic burial sites to the curlicued cattle skulls that float like spirits over Georgia O&#8217;Keefe’s canvas mountains, cultures around the world have turned to skulls to express ideas about both life and death.</i>&#8220;</p></blockquote>
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		<item>
		<title>Great Graphics: Popular Science - The Worst Jobs in Science</title>
		<link>http://www.leepotts.com/tehi/archives/2003/11/25/great-graphics-popular-science-the-worst-jobs-in-science/</link>
		<comments>http://www.leepotts.com/tehi/archives/2003/11/25/great-graphics-popular-science-the-worst-jobs-in-science/#comments</comments>
		<pubDate>Wed, 31 Dec 1969 16:00:00 +0000</pubDate>
		<dc:creator>Lee</dc:creator>
		
		<category><![CDATA[Old TEHI  Stuff]]></category>

		<guid isPermaLink="false">http://www.leepotts.com/tehi/archives/2003/11/25/great-graphics-popular-science-the-worst-jobs-in-science/</guid>
		<description><![CDATA[Although this article from the October issue of Popular Science inspired laugh or two (as well as a renewed affection for my own job), it&#8217;s the icons, created by Josh McKibillo, depicting the various downsides to each job, that were really funny.
]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.popsci.com/popsci/science/article/0,12543,484153-1,00.html" target="resource window"><img src="http://www.leepotts.com/031125popsci.jpg" alt="Great Graphics: Popular Science - The Worst Jobs in Science" align="left" width="118" height="120" border="0"></a><a href="http://www.popsci.com/popsci/science/article/0,12543,484153-1,00.html" target="resource window">Although this article</a> from the October issue of <em>Popular Science</em> inspired laugh or two (as well as a renewed affection for my own job), it&#8217;s the icons, created by <a href="http://www.mckibillo.com/" target="resource window">Josh McKibillo</a>, depicting the various downsides to each job, that were really funny.</p>
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		<title>British Library Exhibitions: Pictures of Health</title>
		<link>http://www.leepotts.com/tehi/archives/2003/11/18/british-library-exhibitions-empictures-of-healthem/</link>
		<comments>http://www.leepotts.com/tehi/archives/2003/11/18/british-library-exhibitions-empictures-of-healthem/#comments</comments>
		<pubDate>Wed, 31 Dec 1969 16:00:00 +0000</pubDate>
		<dc:creator>Lee</dc:creator>
		
		<category><![CDATA[Old TEHI  Stuff]]></category>

		<guid isPermaLink="false">http://www.leepotts.com/tehi/archives/2003/11/18/british-library-exhibitions-empictures-of-healthem/</guid>
		<description><![CDATA[Archive of an exhibit that took place at Homerton Hospital in 2001.
&#8220;&#8230; looks at how artists in many different cultures and times have portrayed our health and the people who keep us in good health Â– the healing professions.
Drawing on the wide range of books from around the world in the British Library, the exhibition [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.bl.uk/whatson/exhibitions/pictures.html" target="resource window"><img src="http://www.leepotts.com/031118picturesofhealth.jpg" alt="British Library Exhibitions: Pictures of Health" align="left" width="118" height="120" border="0"></a><a href="http://www.bl.uk/whatson/exhibitions/pictures.html" target="resource page">Archive of an exhibit</a> that took place at Homerton Hospital in 2001.<br />
<blockquote>&#8220;<i>&#8230; looks at how artists in many different cultures and times have portrayed our health and the people who keep us in good health Â– the healing professions.</p>
<p>Drawing on the wide range of books from around the world in the British Library, the exhibition includes both serious and humorous pictures of diagnosis and treatment, prevention and cure, and doctors and nurses themselves.</i>&#8220;</p></blockquote>
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		<title>Dr. Fungus Image Bank</title>
		<link>http://www.leepotts.com/tehi/archives/2003/11/15/dr-fungus-image-bank/</link>
		<comments>http://www.leepotts.com/tehi/archives/2003/11/15/dr-fungus-image-bank/#comments</comments>
		<pubDate>Wed, 31 Dec 1969 16:00:00 +0000</pubDate>
		<dc:creator>Lee</dc:creator>
		
		<category><![CDATA[Old TEHI  Stuff]]></category>

		<guid isPermaLink="false">http://www.leepotts.com/tehi/archives/2003/11/15/dr-fungus-image-bank/</guid>
		<description><![CDATA[Dr. Fungus promises to be &#8220;your on-line reference to all things mycological!&#8221;
&#8220;The Image Bank contains hundreds of images of fungi that range from images of microscopic fungi in tissue to macroscopic images of people, animals, and plants that have fungal infections. Many of the images are also available as pre-packaged PowerPoint slides.&#8220;
The image bank seems [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.doctorfungus.org/imageban/" target="resource window"><img src="http://www.leepotts.com/031115drfungus.jpg" alt="Dr. Fungus Image Bank" align="left" width="118" height="120" border="0"></a>Dr. Fungus promises to be &#8220;your on-line reference to all things mycological!&#8221;<br />
<blockquote>&#8220;<i><a href="http://www.doctorfungus.org/imageban/" target="resource window">The Image Bank</a> contains hundreds of images of fungi that range from images of microscopic fungi in tissue to macroscopic images of people, animals, and plants that have fungal infections. Many of the images are also available as pre-packaged PowerPoint slides.</i>&#8220;</p></blockquote>
<p>The image bank seems fairly extensive and each image is annotated. The PowerPoint slides are more than just an image slapped into a blank presentation. Each slide conveniently contains the same annotations that are in the image bank and is pre-formatted. The formatting is simple and unobtrusive and should be pretty easy to tweak if you would like it to more closely resemble the rest of your presentation. The only thing I didn&#8217;t like is that each slide seems to have the The Dr. Fungus URL in large purple letters running up the left side. This can easily be deleted. </p>
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		<title>2004 Frank Netter Award</title>
		<link>http://www.leepotts.com/tehi/archives/2003/11/12/2004-frank-netter-award/</link>
		<comments>http://www.leepotts.com/tehi/archives/2003/11/12/2004-frank-netter-award/#comments</comments>
		<pubDate>Wed, 31 Dec 1969 16:00:00 +0000</pubDate>
		<dc:creator>Lee</dc:creator>
		
		<category><![CDATA[Old TEHI  Stuff]]></category>

		<guid isPermaLink="false">http://www.leepotts.com/tehi/archives/2003/11/12/2004-frank-netter-award/</guid>
		<description><![CDATA[From the HeSCA Listserve:&#8220;Do you know of any remarkable health education materials that make a significant impact on the way health-related information is communicated?
The Vesalius Trust for Visual Communication in the Health Sciences is accepting applications for the 2004 Frank Netter Award for Special Contributions to Medical Education. This award is given annually to an [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://vesaliustrust.org/scholarships.html#Netter" target="resource window"><img src="http://www.leepotts.com/031112franknetteraward.jpg" alt="2004 Frank Netter Award" align="left" width="118" height="120" border="0"></a>From the <a href="http://www.hesca.org/" target="resource window">HeSCA</a> Listserve:<br /><Blockquote>&#8220;<i>Do you know of any remarkable health education materials that make a significant impact on the way health-related information is communicated?</p>
<p>The Vesalius Trust for Visual Communication in the Health Sciences is accepting applications for the 2004 Frank Netter Award for Special Contributions to Medical Education. This award is given annually to an individual, institution or company in recognition of the development of visually oriented educational materials that have made a significant contribution to the advancement of education and research in visual communication for the health sciences. There is no application fee. The award includes a plaque, monetary award of $1,000 and travel expenses to receive the award at the annual meeting of the Association of Medical Illustrators. Past winners have made innovative contributions in healthcare education including anatomical models, books, simulators, videotapes, and interactive learning materials.</p>
<p>Anyone interested in applying for this prestigious award can get an application and additional information on the <a href="http://vesaliustrust.org/scholarships.html#Netter" target="resource window">Vesalius Trust Web site</a>.</p>
<p>Application deadline for the 2004 award is December 12, 2003.</i>&#8220;</p></blockquote>
<p>Thanks to Karen Adsit, Walker Teaching Resource Center, Univ. of Tenn. at Chattanooga</p>
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		<title>Scientific Posters: Vertical vs. Horizontal</title>
		<link>http://www.leepotts.com/tehi/archives/2003/11/06/scientific-posters-vertical-vs-horizontal/</link>
		<comments>http://www.leepotts.com/tehi/archives/2003/11/06/scientific-posters-vertical-vs-horizontal/#comments</comments>
		<pubDate>Wed, 31 Dec 1969 16:00:00 +0000</pubDate>
		<dc:creator>Lee</dc:creator>
		
		<category><![CDATA[Old TEHI  Stuff]]></category>

		<guid isPermaLink="false">http://www.leepotts.com/tehi/archives/2003/11/06/scientific-posters-vertical-vs-horizontal/</guid>
		<description><![CDATA[This issue gets raised whenever we&#8217;re preparing a poster for a researcher who is presenting at a conference just about anywhere outside North America: Why do domestic conferences usually specify a horizontal aspect ratio for scientific posters when conferences elsewhere (especially in Europe) usually require posters to be vertical?  
This came up again recently [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.leepotts.com/031106posters.jpg" alt="Scientific Posters: Vertical vs. Horizontal" align="left" width="118" height="120" border="0">This issue gets raised whenever we&#8217;re preparing a poster for a researcher who is presenting at a conference just about anywhere outside North America: Why do domestic conferences usually specify a horizontal aspect ratio for scientific posters when conferences elsewhere (especially in Europe) usually require posters to be vertical?  </p>
<p>This came up again recently and the discussion ended with the usual unsatisfactory conclusions (tradition and the American preference for more personal space). I&#8217;ve tried finding an answer online and although there are many, many sites devoted to creating good posters, none of them dealt with this question.</p>
<p>Personally, I prefer working with the horizontal format because it seems to lend itself to creating a good poster; the flow of the content is just more fluid and there are more options available for making it all fit together.</p>
<p>If you have any insight into this apparent cultural divide in the conference world, I&#8217;d appreciate it if you would drop me a line or share it in a comment attached to this entry. Thanks.</p>
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		<title>Robert Carswell&#8217;s Pathological Anatomy</title>
		<link>http://www.leepotts.com/tehi/archives/2003/11/03/robert-carswells-empathological-anatomyem/</link>
		<comments>http://www.leepotts.com/tehi/archives/2003/11/03/robert-carswells-empathological-anatomyem/#comments</comments>
		<pubDate>Wed, 31 Dec 1969 16:00:00 +0000</pubDate>
		<dc:creator>Lee</dc:creator>
		
		<category><![CDATA[Old TEHI  Stuff]]></category>

		<guid isPermaLink="false">http://www.leepotts.com/tehi/archives/2003/11/03/robert-carswells-empathological-anatomyem/</guid>
		<description><![CDATA[The Glasgow University Library Special Collections Department&#8217;s October Book of the Month was Pathological Anatomy: Illustrations of the Elementary Forms of Disease by Robert Carswell.
&#8220;This beautifully illustrated folio volume consists of forty four coloured lithograph plates with accompanying descriptions of various pathological conditions. The text and the drawings were undertaken by Sir Robert Carswell, who [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://special.lib.gla.ac.uk/exhibns/month/oct2003.html" target="resource window"><img src="http://www.leepotts.com/031103RobertCarswell.jpg" alt="Robert Carswell's Pathological Anatomy" align="left" width="118" height="120" border="0"></a>The Glasgow University Library Special Collections Department&#8217;s October Book of the Month was <a href="http://special.lib.gla.ac.uk/exhibns/month/oct2003.html"><em>Pathological Anatomy: Illustrations of the Elementary Forms of Disease</em></a> by Robert Carswell.</p>
<blockquote><p>&#8220;<i>This beautifully illustrated folio volume consists of forty four coloured lithograph plates with accompanying descriptions of various pathological conditions. The text and the drawings were undertaken by Sir Robert Carswell, who was both a distinguished practitioner of pathology and a skilled artist. Perhaps overshadowed by more well known anatomical atlases, this is a monumental work that deserves further study.</i>&#8220;</p></blockquote>
<p>Carswell&#8217;s motivation for creating this landmark work echoes a one of the central theme&#8217;s of <em>TEHI</em>: the importance of being visual. He &#8220;<i>undertook its publication because of &#8216;the great difficulty, and frequently the impossibility, of comprehending even the best descriptions of the physical or anatomical characters of diseases, without the aid of coloured delineations.&#8217;</i>&#8220;</p>
<p></p>
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		<title>Name That Molecule</title>
		<link>http://www.leepotts.com/tehi/archives/2003/10/30/name-that-molecule/</link>
		<comments>http://www.leepotts.com/tehi/archives/2003/10/30/name-that-molecule/#comments</comments>
		<pubDate>Wed, 31 Dec 1969 16:00:00 +0000</pubDate>
		<dc:creator>Lee</dc:creator>
		
		<category><![CDATA[Old TEHI  Stuff]]></category>

		<guid isPermaLink="false">http://www.leepotts.com/tehi/archives/2003/10/30/name-that-molecule/</guid>
		<description><![CDATA[Corey Nahman, the man behind the ultimate pharmaceutical news and information site coreynahman.com, has always been extremely generous in his support of The Eyes Have It. I&#8217;d like to return the favor in some small way by mentioning a contest he&#8217;s running that will test the depth of your biochemical knowledge and your visual acuity. [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.coreynahman.com" target="resource window"><img src="http://www.leepotts.com/031030namethatmol.jpg" alt="Name That Molecule" align="left" width="118" height="120" border="0"></a>Corey Nahman, the man behind the ultimate pharmaceutical news and information site <a href="http://www.coreynahman.com" target="resource window">coreynahman.com</a>, has always been extremely generous in his support of <em>The Eyes Have It</em>. I&#8217;d like to return the favor in some small way by mentioning a contest he&#8217;s running that will test the depth of your biochemical knowledge and your visual acuity. <em>Name That Molecule</em> is also meant to &#8220;take a scholarly topic and make it fun.&#8221; Scroll down the left-hand column of <a href="http://www.coreynahman.com" target="resource window">coreynahman.com</a>, check out the spinning molecules and give it your best shot. Cash prizes will be awarded. Good luck.</p>
<p></p>
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		<title>Laura Splan</title>
		<link>http://www.leepotts.com/tehi/archives/2003/10/27/laura-splan/</link>
		<comments>http://www.leepotts.com/tehi/archives/2003/10/27/laura-splan/#comments</comments>
		<pubDate>Wed, 31 Dec 1969 16:00:00 +0000</pubDate>
		<dc:creator>Lee</dc:creator>
		
		<category><![CDATA[Old TEHI  Stuff]]></category>

		<guid isPermaLink="false">http://www.leepotts.com/tehi/archives/2003/10/27/laura-splan/</guid>
		<description><![CDATA[Pharma/medical/scientific art by San Francisco-based Laura Splan.
From the artist&#8217;s statement:
&#8220;My mixed media work explores perceptions of beauty and horror, comfort and discomfort. I use science and medicine a point of departure to explore our ambivalence towards the human body and its functions. I often combine anatomical and scientific imagery with domestic objects and materials. This [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.laurasplan.com/files/portfoli.htm" target="resource window"><img src="http://www.leepotts.com/031027splan.jpg" alt="Laura Splan" align="left" width="118" height="120" border="0"></a><a href="http://www.laurasplan.com/files/portfoli.htm" target="resource window">Pharma/medical/scientific art</a> by San Francisco-based Laura Splan.</p>
<p>From the artist&#8217;s statement:<br />
<blockquote>&#8220;<i>My mixed media work explores perceptions of beauty and horror, comfort and discomfort. I use science and medicine a point of departure to explore our ambivalence towards the human body and its functions. I often combine anatomical and scientific imagery with domestic objects and materials. This juxtaposition creates a response that fluctuates between seduction and repulsion, comfort and alienation. This dichotomous experience is evoked by enticing and playful imagery that upon closer inspection reveals some uncomfortable truth about our cultural and biological conditions.</i>&#8220;</p></blockquote>
<p></p>
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		<title>The Pill: Pretty in Pink</title>
		<link>http://www.leepotts.com/tehi/archives/2003/10/26/the-pill-pretty-in-pink/</link>
		<comments>http://www.leepotts.com/tehi/archives/2003/10/26/the-pill-pretty-in-pink/#comments</comments>
		<pubDate>Wed, 31 Dec 1969 16:00:00 +0000</pubDate>
		<dc:creator>Lee</dc:creator>
		
		<category><![CDATA[Old TEHI  Stuff]]></category>

		<guid isPermaLink="false">http://www.leepotts.com/tehi/archives/2003/10/26/the-pill-pretty-in-pink/</guid>
		<description><![CDATA[A few years ago, I was a designer at a small company that produced sales training materials for pharmaceutical companies. One project I worked on was a deck of flash cards that sales reps would use to familiarize themselves with all of the different brands and versions of oral contraceptive currently on the market. There [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.pbs.org/wgbh/amex/pill/gallery/index.html" target="resource window"><img src="http://www.leepotts.com/031025thepill.jpg" alt="The Pill: Pretty in Pink" align="left" width="118" height="120" border="0"></a>A few years ago, I was a designer at a small company that produced sales training materials for pharmaceutical companies. One project I worked on was a deck of flash cards that sales reps would use to familiarize themselves with all of the different brands and versions of oral contraceptive currently on the market. There was a photo of the product and its packaging on one side and all of the details and dosages on the other. I was often struck by how the visual aspects of most of the products seemed to fall into either a nostalgically feminized or a coldly clinical aesthetic. Being male, I was kind of curious about this. Did the flowers, the butterflies, the pinks and purples on the dispenser make the experience of using the pill different? Did these &#8220;pretty&#8221; packages have a marketing impact? </p>
<p>I was also fascinated by all of the different schemes, both graphical and mechanical, designed to make sure the pills are taken correctly. In most cases, all the pills in a prescription are identical and anonymous. Each pill does the same job as all the others. Each pill in a course of contraceptives, on the other hand, has its own meaning and identity. </p>
<p>The PBS series <em>American Experience</em> did an episode about the Pill. As far as I could tell from a quick reading of the transcript (I didn&#8217;t get to see the broadcast), it doesn&#8217;t touch on any of these issues. However, there is an <a href="http://www.pbs.org/wgbh/amex/pill/gallery/index.html" target="resource window">image gallery</a> on the website devoted to the episode and it contains a fair amount of material about various designs of the Pill&#8217;s packaging. For instance, before the first version of the Pill (Enovid) was used as a contraceptive, it was used to treat menstrual irregularities and was delivered in a simple, small brown bottle.</p>
<p></p>
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		<title>BMLwalker: 15 simple dots</title>
		<link>http://www.leepotts.com/tehi/archives/2003/10/20/bmlwalker-15-simple-dots/</link>
		<comments>http://www.leepotts.com/tehi/archives/2003/10/20/bmlwalker-15-simple-dots/#comments</comments>
		<pubDate>Wed, 31 Dec 1969 16:00:00 +0000</pubDate>
		<dc:creator>Lee</dc:creator>
		
		<category><![CDATA[Old TEHI  Stuff]]></category>

		<guid isPermaLink="false">http://www.leepotts.com/tehi/archives/2003/10/20/bmlwalker-15-simple-dots/</guid>
		<description><![CDATA[BMLwalker is a motion visualization demonstration from the Ruhr-University-Bochum BiomotionLab. The user can adjust the walking animation for gender, weight, dispostion and mood.  If you move the slider all the way to the male side, for instance, you somehow see &#8220;maleness&#8221; in the cues provided by the way the 15 simple dots on a [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.bml.psy.ruhr-uni-bochum.de/Demos/BMLwalker.html" target="resource window"><img src="http://www.leepotts.com/031020BMLwalker.jpg" alt="BMLwalker: 15 simple dots" align="left" width="118" height="120" border="0"></a><a href="http://www.bml.psy.ruhr-uni-bochum.de/Demos/BMLwalker.html" target="resource window">BMLwalker</a> is a motion visualization demonstration from the Ruhr-University-Bochum BiomotionLab. The user can adjust the walking animation for gender, weight, dispostion and mood.  If you move the slider all the way to the male side, for instance, you somehow see &#8220;maleness&#8221; in the cues provided by the way the 15 simple dots on a plain black background move in relation to each other.  The animation can rotate 360 degrees and there is a setting that connects the dots with lines.</p>
<p>
<blockquote>&#8220;<i>This animation demonstrates a framework for retrieving and visualizing biologically and psychologically relevant information from biological motion patterns. It is based on walking data from 40 male and 40 female walkers. Using a motion capture system their movement were recorded while walking on a treadmill.</p>
<p>The data were subsequently transformed into a representation which allows for linear morphing. The resulting &#8220;walking space&#8221; was then transformed using principal component analysis. A space spanned by the first 10 eigenwalkers was used to compute linear disciminant functions for the respective attributes.</p>
<p>Sex and weight of each walker were directly available from our records. The other two attributes were derived from psychophysical experiments. A number of observers were presented with point-light displays of the 80 walkers. For each of them they had to rate the attributes nervous/relaxed and happy/sad on a scale of 7 steps.</p>
<p>Parts of the procedure are described in:Troje, N. F. (2002) Decomposing biological motion: A framework for the analysis and synthesis of human gait patterns. </i>Journal of Vision<i> 2:371-387.</i>&#8220;</p></blockquote>
<p>[via <a href="http://nastystart.org/" target="resource window">nastystart</a>]</p>
<p></p>
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